{"id":1390,"date":"2011-10-19T10:59:05","date_gmt":"2011-10-19T10:59:05","guid":{"rendered":"http:\/\/localhost\/Projects\/Nexsound\/?p=1390"},"modified":"2011-11-17T13:17:06","modified_gmt":"2011-11-17T13:17:06","slug":"ns32","status":"publish","type":"post","link":"http:\/\/www.nexsound.org\/wp\/ns32\/","title":{"rendered":"Arturas Bumsteinas"},"content":{"rendered":"

“Charging” was made from small sounds deriving from random techno tracks those were found lurking in the hardisc of my computer. Also additional layers of sine waves and close-up microphone sounds were included. “Charging” was recorded in one-day recording session (2003\/08\/?). <\/p>\n

“Opsound” was premiered in Launch Option Berlin fetival in BuroFriedrich Gallery (2003\/07\/24). This composition was part of audiovisual performance “Low” by G-Lab. <\/p>\n

“Moc Art” is a composition concisting from field recordings, sounds generated on computer and saxophone part performed by Liudas Mockunas. Mockunas is a prominent improvized musician living in Lithuania and Denmark. Final overdub of “Moc Art” was done in the studio of Lithuanian National Drama Theater (2003\/09\/01). <\/p>\n

“Uonsed” uses wide spectrum of sounds from: old Russian synthesizer Polyvox, tape noises, sine waves, turntable sounds by Dj Pitt, voices from Antiradical Opera collective. Composition done in summer of 2003. <\/p>\n

\"\"
\nTracklist<\/b><\/p>\n

    \n
  1. 1 charging<\/a> 577 seconds<\/li>\n
  2. 2 opsound<\/a> 602 seconds<\/li>\n
  3. 3 moc art<\/a> * 653 seconds<\/li>\n
  4. 4 uonsed<\/a> 698 seconds<\/li>\n<\/ol>\n

    * with Liudas Mockunas on saxophones<\/p>\n

    © 2003 Arturas Bumsteinas<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

    “Charging” was made from small sounds deriving from random techno tracks those were found lurking in the hardisc of my computer. Also additional layers of sine waves and close-up microphone sounds were included. “Charging” was recorded in one-day recording session… read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":1391,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[143,8],"tags":[],"_links":{"self":[{"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/posts\/1390"}],"collection":[{"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/comments?post=1390"}],"version-history":[{"count":11,"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/posts\/1390\/revisions"}],"predecessor-version":[{"id":2274,"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/posts\/1390\/revisions\/2274"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/media\/1391"}],"wp:attachment":[{"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/media?parent=1390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/categories?post=1390"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nexsound.org\/wp\/wp-json\/wp\/v2\/tags?post=1390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}